Easter at Nagasaki Citys Catholic Catherderal's
Ground Zero A Bomb Memorial
Cherry Blosooms
pastel pencil charcoal on F4 pastel Paper
デイヴィッドソン仮説によれば、芸術家は現実に直接働きかけることができない。これは速度の不足や「遅れ」によるものではなく、構造的な必然である。認識には距離が必要であり、ずれがなければ、何ものも「何か」として現れることはない。
この必然的な間隔こそが、アペイロン（D）である。
The Davidson Hypothesis states that artists cannot act on reality directly. This is not due to a lack of speed or a "lag"—it is a structural necessity. Recognition requires distance. Without displacement, nothing can appear as "something."
This necessary space is the Aperion (D).
The Davidson Hypothesis states that artists cannot act on reality directly. This is not due to a lack of speed or a "lag"—it is a structural necessity. Recognition requires distance. Without displacement, nothing can appear as "something."
Chelle Bourne
After the Rain - Star Swamp
Digital Image
Diokno Pasilin
Port Barton
Oil on canvas
240 cm x 180 cm
2025
Micheal Doherty - Northwest
Oil on canvas
50 cm x 50 cm
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Sally Douglas
Spring, Devon, UK
38cm h x 28cm w
Watercolour on paper
John Cullinane
Time
Oil on canvas
Professor Diana Davis
Australian National University
Necklace
Melissa Nolan McDougall
Untitiled drawing
A4
Ross Sanders
Narcissus #1
Found Objects
