End of summer and winter exhibition 2026

 

Winter Snow over Awaji Island

Please enjoy this show on what has been a very cold winter in japan and a reasonable summer in Australia 

Peter Davidson - Akashi Municipal Planetarium

Pencil, pastel on coloured pastel paper

Sally Douglas - Scarlet Flower

  Watercolour & Ink

  36 cm h x 54 cm w

Melissa Nolan McDougall 

Doves

A4. Graphite on paper

Diokno Pasilan is currently in Manila doing wonderful things there in art, listen to the sbs Interview here https://www.sbs.com.au/.../suitcase-islands.../gph10nb12

John Cullinane

Panthestic Landscape 

Oil on Linen

Professor Diana Davis 

ANU

 

Necklace

Every necklace is made differently from assorted beads

 and semi precious stones 

Chelle Bourne 

Early Morning Shadows at Star Swamp. Mixed media 

400ml across x 26ml .

New Year 2026 Show

 Happy New Year 

to all our supporters and please enjoy this next exhibition  in the year of the 

Horse

Peter Davidson Study of horse China 7th or 8th century Met Museum

pencil whiteout ink wash on paper FO

Melissa Nolan McDougall

Graphite on paper

A5

Sally Douglas

  Autumn

  14 cm wide x 15cm high

  Watercolour, Gouache and Colour Pencil

Diokno Pasilan

Local ID 50x50cm Oil on canvas 2025

John Cullinane

"Sisters"

Oil on linen

38 cm h x 31 cm w

Professor Diana Davis

Necklace

Assorted glass beads with pendent

Chelle Bourne

Sunset Indian Ocean

Digital Image

Untitled (Aging Mushrooms) II
Medium: Oil, wax, and acrylic on wooden board

"I choose to paint aging mushrooms—subjects that contain a universe of painterly imagination within their decline. They represent a physical manifestation of the 'Davidsonian Delay': a timeless space where the artist remains free from the tyrannies of periodic history.

In this state of organic suspension, the act of painting becomes a dialogue between the physics of the brush and the memory of the form. As the mushroom yields, the brush captures the interaction of viscosity and pressure, leaving behind 'spatial paint traces' on the wooden board. These marks serve as a lived equation—a permanent record of perception and response.

Delay is the artist."

Peter Davidson