Tuesday, 17 March 2026

Spring/ Autumn Exhibition 2026


The Japanese Spring is here and the plum blossoms are nearly in full bloom 
as the sunsets on the cold winter.

Poem

Sugawara no Michizane (845–903) 
東風吹かば
にほひおこせよ
梅の花
主なしとて
春な忘れそ

When the east wind blows
Send me your fragrance,
O plum blossoms!
Although your master is gone,
Do not forget the spring.

Legend states that as Michizane left his home in Kyoto, he addressed this poem to the plum tree in his garden. The poem reflects his grief at leaving his beloved trees and his hope that they would bloom despite his absence.

Source Google AI Overview




Professor Diana Davis - Necklace
Australian National University 
 









Ross Sanders - RMIT Sculpture Major - Pomegranate -
Farm utensils and decaying friuit - 10 cm x 8 cm











Ross Sanders - RMIT Sculpture Major - Roma Gaea Rising
Found Objects 10 cm x 8 cm
lived and worked in the remote mining areas of Western Australia
then retruned to Victoria












Diokno Pasilan - Suitcase Islands 
The Drawing Room Contemporary Art 
Manila
link https://drawingroomgallery.com/exhibitions/make-up/ 










Chelle Bourne Star Swamp 
Digital Image











Sally Douglas -  Magnolias, Dartington Hall, UK
Medium:  Watercolour on paper
Size:  26cm w x 36cm h









John Cullinane - The Calling 2012

Oil on linen, 38 cm x 51 cm






Peter Davidson

The Japanese spring flowers by the side of the road
Oil wax acrylic on wooden panel
21cm h x 18 cm w

This painting quietly resists instant recognition, asking the viewer to slow down and move through its surface rather than take it in at a glance. The thick, clustered marks of red, white, and violet feel less like clear descriptions of flowers and more like the trace of having looked at them over time. Set against the steady horizontal bands, the vertical forms carry a restrained, rhythmic energy, as if perception has been filtered and condensed into paint. The result is not just a fleeting roadside scene, but a small, self-contained object that holds the viewer in the time it took the artist to arrive at the image.





 

Monday, 16 February 2026

End of summer and winter exhibition 2026

 


Winter Snow over Awaji Island

Please enjoy this show on what has been a very cold winter in japan and a reasonable summer in Australia 






Peter Davidson - Akashi Municipal Planetarium
Pencil, pastel on coloured pastel paper









Sally Douglas - Scarlet Flower
  Watercolour & Ink
  36 cm h x 54 cm w











Melissa Nolan McDougall 

Doves
A4. Graphite on paper









Diokno Pasilan is currently in Manila doing wonderful things there in art, listen to the sbs Interview here https://www.sbs.com.au/.../suitcase-islands.../gph10nb12














John Cullinane
Panthestic Landscape 
Oil on Linen








Professor Diana Davis 
ANU
 
Necklace
Every necklace is made differently from assorted beads
 and semi precious stones 







Chelle Bourne 

Early Morning Shadows at Star Swamp. Mixed media 
400ml across x 26ml .


Wednesday, 14 January 2026

New Year 2026 Show

 Happy New Year 

to all our supporters and please enjoy this next exhibition  in the year of the 

Horse





Peter Davidson Study of horse China 7th or 8th century Met Museum
pencil whiteout ink wash on paper FO







Melissa Nolan McDougall
Graphite on paper
A5







Sally Douglas

  Autumn
  14 cm wide x 15cm high
  Watercolour, Gouache and Colour Pencil










Diokno Pasilan

Local ID 50x50cm Oil on canvas 2025






John Cullinane
"Sisters"
Oil on linen
38 cm h x 31 cm w







Professor Diana Davis
Necklace
Assorted glass beads with pendent












Chelle Bourne
Sunset Indian Ocean
Digital Image










Untitled (Aging Mushrooms) II
Medium: Oil, wax, and acrylic on wooden board

"I choose to paint aging mushrooms—subjects that contain a universe of painterly imagination within their decline. They represent a physical manifestation of the 'Davidsonian Delay': a timeless space where the artist remains free from the tyrannies of periodic history.

In this state of organic suspension, the act of painting becomes a dialogue between the physics of the brush and the memory of the form. As the mushroom yields, the brush captures the interaction of viscosity and pressure, leaving behind 'spatial paint traces' on the wooden board. These marks serve as a lived equation—a permanent record of perception and response.

Delay is the artist."

Peter Davidson